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| Araniello, Katherine |
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My work questions and subverts notions of what is considered ‘normal’, utilising subversive humour.
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| Beasley, Becky |
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Beasley addresses the question of time: what is worth photographing, what should be remembered in the future?
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| Bloor, Simon and Tom |
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We have recently been working on several collaborative projects including the designing of prototype posters and the manufacture and dissemination of ephemera.
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| Boggon, Anna |
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Each artwork is investigative in its approach, (often playful) drawing from either historical/scientific research or an ongoing curiosity relating to the adaptability of, objects and subject matter.
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| Bræin, Kristina |
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To me a room is never empty. In its bare form it already consists of a lot of elements and an atmosphere to be aware of.
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| Budde, Lela |
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An underlying theme connecting all my work is the ‘attempt to make time visible’ – mostly using video and/or photography.
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| Bunga, Carlos |
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I am interested in the rapid degradation of things while creating an effective relationship with the space of the city.
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| Carter, Paul |
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‘Covered Flash’ scrawled on a grubby discarded polaroid – a note written on a fragment that traces a moment of studio practice that maybe didn’t quite work out.
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| Clark, Samantha |
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Notes to self
- Observe old dogs. They have enviable composure.
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| Davies, Claire |
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Claire Davies’ exquisite short digital films capture everything we love about the simplicity of looking intensely: marbles bouncing, glitter glistening, birds lifting their wings, wool wrapping around a space.
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| Dawood, Shezad |
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The works of Shezad Dawood reflect a keen cultural awareness.
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| Diaz, Alejandro |
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Alejandro Diaz, now based in New York, is originally from South Texas where he developed a very exciting and pertinent body of work which exemplifies the complex and visually rich cultural milieu particular to South Texas and Mexico.
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| Dodge, Harry and Kahn, Stanya |
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As a collaborative team, we make video and live performance.
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| Dolphin, Graham |
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I have for a long time used popular culture, particularly fashion, as my source material.
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| Dufour, Kirsten |
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I´m a visual artist, who lives in Copenhagen, Denmark.
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| Egli, Annelies |
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These pieces of work are part of a series called Luminaries. It was initially inspired by a lunar eclipse I witnessed a few years ago.
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| Engh, Marius |
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"Moments can be monuments to you, if your life is interesting and true."
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| Evans, Nicholas |
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The artist is looking for a site of artistic transformation that aligns itself with political transformation.
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| Famed |
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Since 2003, the artist cooperative Famed has appeared in various contexts in the art world, applying various different artistic methods and approaches.
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| Fong, Eric |
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My practice uses video, sculpture, photography and live art to explore the issues and cultural concerns surrounding various aspects of medicine.
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| Frik, Helen |
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Girdulent Repugdulence- all encompassing, enveloping everything with an oozing slide, a slow moving unarestable flow of thick slime, and repugdulent to the utmost extreme found in life or nature.
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| Funky Projects |
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Volatile Environments contains a selection of our more representative projects until the 2001.
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| Genoves, Ana |
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I’m interested in the appearance of an object as something stagnated by its own particular state of being.
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| Gobbetto, Nicola |
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My research is related to the world of fairy tales or in general to themes of childhood and adolescence ( this is what fairy tales talk about).
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| Gréaud, Loris |
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I approach the conception of a piece like a script that would require its own soundtrack, but more precisely a creative process with a given time of elaboration, a team, a working site and tensions.
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| Guillemet, Colin |
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I make work that plays on the stereotypes associated with what to expect from a work of art as a starting point.
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| Hampton, Michael |
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Despite abandoning trial&error painting in the mid Nineties, and with it an archaic mode of representational practice, the concept of a picture remained, as did much artist's paraphernalia.
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| Harrison, Lucy |
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‘She meets with words that fill emptiness, without signifying agency and leaving what is intended to be said partial or unspoken (they speak, despite their failure).
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| Horvat, Vlatka |
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My work seeks to investigate the relationship of lived experience to language, modes of representation, and social/cultural economies of interaction.
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| Howard, Kate |
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My video work explores the fracture between fact and fiction.
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| Hutchinson, Mark |
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Zizek interprets Lenin’s response to the revolutionary situation of 1917 as one of radical improvization.
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| Kalmbach, Heiko |
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My film and video work deals mainly with mood, atmosphere and character rather than plot.
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| Kelly, Conor |
Conor Kelly’s video works probe the relationship between image and sound, the artist’s intervention foregrounds mundane noises as if articulating the unheard music of the everyday.
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| Kessler, Leopold |
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My interventions in public space are based on changing, repairing or extending the function or use of public items, like signs, benches, streetlamps.
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| Kollectiv, Pil and Galia |
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Our work peels back the skin of popular culture to reveal the entrails of the high avant garde that courses through its veins.
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| Laithier, Doriane |
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I like to draw from cataloguing material.
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| Lentz, Eivind |
How is technology leading photography, and where is the impact.
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| Lütje, Peter |
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Peter Luetje´s work reminds of the tilting back in the days at school, sometimes directly, mostly in a rather abstract level.
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| Mettler, Yves |
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...the final scheduled flight of the Concorde is more silent even than your fluttering. I can hardly even give my lecture here.
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| Moran, Brian |
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My relationship to power and authority is that I'm all for it.
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| Nassari, John |
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John Nassari is a multimedia artist who is interested in exile and memory.
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| Ndiritu, Grace |
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My purpose as an artist is to rewrite history through the immediacy of Performance Video Art.
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| Ortega Ayala, Raul |
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My art focuses on the activities that occur in the space of one day in the life of a human being, from when s/he wakes up to when s/he goes to sleep: food, work, leisure, media, sex, gardening…
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| Osbaldeston, David |
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Aiming for the gaps, and using images and references from art (both historical and contemporary), literary criticism and philosophy, David Osbaldeston’s work explores the ‘reconstruction of truth’.
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| O'Mara, David |
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Increasingly, our perceptions of the surrounding landscape are informed and constructed through media-generated images, our viewpoint being a combination of lived and received ideas.
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| Parzybok, Ezra |
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I work with primarily three-dimensional objects and arranged sculptures.
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| Petrides, Sophia |
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My work consists of series of painting, sculptures and photographs.
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| Saquel, Carolina |
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The areas of work I have been producing are video, photography and graphic work, though moving image is the main field of production.
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| Schiefner, Kerstin |
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Kerstin Schiefner’s photographs depict a world that resists tangible definition.
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| Schutz, Gabriela |
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In my work I refer to trends of our society (globalization, urban sprawl, Western political agendas, etc), through 'mathematical' or 'scientific' models.
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| Scully, Liam |
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Yes you could call me artistic but I prefer to be called an Inventistic.
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| Stumpf, Michael |
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Michael Stumpf’s sculptural work employs materials ranging from denim, plastic, aluminium and paper.
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| Thorup, Tine |
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Being able to understand how something is made, but yet still be able to appreciate and believe in that with which you are presented is when art works seem to be at their best.
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| Trapp, Yvonne |
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Issues surrounding masculinity and male models are a focal aspect of my work, which can range from the book to performance.
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| Waddell, Stephen |
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For several years I have been trying to make pictures in a ‘realist’ mode that sought to ask what is ‘depiction’ now.
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| Weiss, Ingrid |
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In studying the phenomena of the natural world, we may become naturalist, scientist, artist, philosopher.
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| Williams, Bedwyr |
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At the moment I live in Caernarfon, Gwynedd.
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